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For those unfamiliar with the design world, the name Massimo Vignelli doesn't mean much. But if shown the logos of American Airlines or Ford, or a shopping bag from Bloomingdale's, it becomes clear immediately how much Massimo Vignelli's work is part of our everyday life experience and popular imagination.
American Airlines On Board With Design
Created by Massimo Vignelli in 1967, it was everything a logo should be: elegantly simple, dignified, and instantly recognizable. The redesign features a U.S. flag motif tail, a faux-silver fuselage, and an entirely new logo that is so unspeakably ugly that it nearly brings tears to my eyes.
Massimo Vignelli obituary Art and design The Guardian
Massimo Vignelli's 1967 redesign, shown here, was initially simply two As in the Helvetica typeface, one red and one blue. The airline insisted on the inclusion of the eagle, which had become a central part of the company's identity; pilots even threatened to strike over the issue.
Q&A Original American Airlines Designer Massimo Vignelli on the Redesigned Logo Bloomberg
News: Massimo Vignelli - the prolific Modernist designer who created New York's subway signage and the American Airlines identity - has died in New York. Born in Milan in 1931, Vignelli.
Massimo Vignelli Dies at 83 Frequent Business Traveler
Work Vignelli worked in a wide variety of areas, including interior design, environmental design, package design, graphic design, furniture design, and product design. His clients at Vignelli Associates included companies such as IBM, Knoll, Bloomingdale's and American Airlines.
wonderwall
We caught up with designer Massimo Vignelli, the creator of the airline's outgoing logo, to ask his opinion. What do you think of the redesign? It has no sense of permanence. The American.
Massimo Vignelli, American Airlines, The Unit
Massimo Vignelli designed for American Airlines and New York department stores - and in Britain for the GNER east coast rail service. Photograph: Design Museum Design Obituary Massimo.
American Airlines On Board With Design
Acclaimed graphic designer Massimo Vignelli, whose most recognizable works include the original American Airlines logo and a 1972 New York City subway map, died Tuesday at age 83. Yoshiki.
Massimo Vignelli, celebrated designer whose work included NYC subway map, dies at 83 The
Shop Open Door Holiday Tabletop Amy Astley's Picks Bedroom Essentials Architecture + Design Celebrate the Historic Careers of Massimo and Lella Vignelli A new book celebrates their work—from.
Massimo Vignelli American Airlines branding Karen Horton Flickr
You may not know the names Lella Vignelli and Massimo Vignelli, but you've probably seen their work: either separately or together, the pair have created iconic designs for Ford, American Airlines.
Massimo Vignelli, the Travel Industry's Greatest Designer, Dies at 83 Skift
Massimo Vignelli, an acclaimed graphic designer who gave shape to his spare, Modernist vision in book covers and shopping bags, furniture and corporate logos, even a church and a New York City.
TheDesignAir Massimo Vignelli 19312014
To Vignelli, this logo symbolized that American Airlines was an honest company, no-frills and no-nonsense—just good service. American Airlines would later rebrand after 45 years of using this logo. Vignelli responded with a break-down of the new design, demonstrating its meaninglessness that came from ignoring important design rules.
massimo vignelli Massimo vignelli, Vignelli, Airlines branding
Designer Of New York City Subway Map Dies Massimo Vignelli's map was in use from 1972 to 1979. The Italian-born Vignelli also worked on the original branding for American Airlines. He was 83.
Massimo Vignelli Vignelli, Massimo vignelli, American airlines
Designer Massimo Vignelli, known for his iconic New York City subway map and American Airlines logo, among many other designs, died today at the age of 83. It was reported earlier this.
Massimo Vignelli American Airlines, Bloomingdales American… Flickr
The list includes Ford (1965), Knoll (1966), and American Airlines (1967) corporate identities, as well as the New York City Subway's sign system (1966) and its Graphic Standards Manual (1970). The work done by Vignelli at Unimark indelibly marked the entire world's graphic design production and offered the most important contribution to.
Massimo Vignelli Wiliam Blog
Despite my nerves, our subsequent meeting was delightful and we spent many hours talking about love, his wife and partner Leila Vignelli, the staying power of the American Airlines logo, vulgarity, his penchant for the color black and the typeface Bodoni, his protégé Michael Bierut, the friendship he had with Alan Fletcher, the perfect sofa.